THE FACT ABOUT CHARLIE CHAPLIN'S "THE CIRCUS" (1928) THAT NO ONE IS SUGGESTING

They are sometimes yearning romantics, using this distinction: Buster looks a plausible mate, and the Tramp hardly appears to possess a libido, only idealized notions. If their comedies were designed in a far more liberated time, it is achievable to imagine Keaton in mattress with a woman, but disquieting to consider the Tramp like a sexual becomin